Start the plot by getting an innocent dude killed, but hardly anyone knows the cause of death. There is a borderline crazy person who knows it, but no one cares what he says.
Set up some scientific research center/ project facility. Hire a bunch of caretakers, good-looking women with past baggage, a stud, an ambitious psychopath, other people, and finally a greedy businessman funding the research/project, who may or may not be the psychopath.
The psychopath and the businessman shake hands and want to nurture antagonist. They have alternative motives that can work for them. Their prefrontal cortex is in a haze.
businessman gives bizarre project order. Caretakers reason but businessman doesn’t give heed to the warnings as his motive is result before safety.
Kill one of the innocent team members during businessman’s intentional work and this time people know the reason.
Now politicians are involved and give false assurances.
Stud and a diva just got to know psychopath’s plan. Despite that, they try to uphold the good. Add some moral conversation where the diva and the stud start showing glimpse of feelings for each other, and psychopath is sourly lurking to witness possibly lost love. This adds fuel to his psychopathic tendencies.
Enter the actual antagonist, who spoils the romantic scene. Chaos erupts. Some more killing follows.
The psychopath is fully charged up and totally devoid of any good moral standing at this point. Some glimpses of goodness in the businessman start to emerge.
The crazy man is on board with this group, and suddenly people start seeing the uncrazed side of him. He gets attention.
The next second, people realize how to kill the main antagonist but they are loosing time.
Some more killings occur, and at one point, the businessman has a narrow escape from the antagonist. That’s when there is either a paradigm shift if he is not the psychopath. Added moments of silence and emotional drama follow: promises, friendships, human moments, etc.
Normal people would change into athletic wear, but these people don’t, as their cabins are either flooded or destroyed beyond repair.
Finally, a 10–15 minute action-packed sequence where the psychopath gets killed. Lighting gets erratic due to loose connections, background sound gets beyond 100db, everyone gets sweaty and bloody and somehow 2 shades darker than what they are. Some more running, shouting, killing. Protagonist is very close to killing the antagonist. It is like either he kills or gets killed. After the first two failed attempts and close escapes, the protagonist kills the intended on the third strike, and people are saved from the mayhem.
People celebrate and are awarded. People who are in love get married and settled in their lives. The last scene has slow camera motion where new anatomists are spewing their wings soon. It’s like that last bit of dandruff after applying anti-dandruff shampoo. Perpetual succession at works.
Queries
- How are people capable of acting normal and celebrating their win even when their closest friends or allies were killed just moments before?
- Was that the same story line from the eyes of the main antagonist creature as well
- Was it worth so much killing? What is the cost–benefit for the businessman?
- How would local financial markets perform when such news is out?
- When every such creature movie has the same fundamental plot, what motivates people to recreate and re watch it with different humans?
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